From its inception in Union Square on summer solstice day, June 21st, 2012 – Planetary Coalition has now grown into a truly global music project. Our CD will be released on 11/11/2014.
Twenty seven musicians. Five continents. One vision. Alex Skolnick’s Planetary Coalition – featuring Rodrigo y Gabriela, Adnan Joubran, Horacio “El Negro” Hernandez, Kiran Ahluwalia, Pablo Aslan, Yacouba Sissoko, Yihan Chen, Gadi Seri, New York Gypsy All Stars & many others – infuses the passion and artistry of the musical styles of Latin, Gypsy, Middle Eastern, Mediterranean, Indian, Balkan/Eastern European, East Asian, African and other indigenous lands.
An ethnically flavored collective of diverse musicians from all over the world, Planetary Coalition is driven by the acoustic guitar of Alex Skolnick, whose work spans jazz (Alex Skolnick Trio), metal (Testament), and world music (Rodrigo y Gabriela).
In the virtuoso’s own words from the upcoming album’s notes:
“It started with a lone, handwritten sentence on a notepad, describing a musical vision: “An ethnically flavored collective of musicians from all over the world, driven by acoustic guitar and bringing together inspirational melodies, in-depth improvisation and the passion of the musical styles of Gypsy, Middle Eastern, Indian, Latin, East Asian, Mediterranean, Balkan/Eastern European, African and other indigenous lands.”
The reality: coordinating over two-dozen musicians from five continents.
Yet despite the numerous logistical challenges, Planetary Coalition has been guided by a single hope: that by weaving the threads that connect musical expressions with regional identities, we can bridge the gap between diverse cultures and people, and increase awareness of the ecological and social issues facing the planet, our island in the sky. And I must confess that with respect to all prior musical collaborations, this is the album I feel most proud of. It’s hoped that in the future, these pieces can be performed not just in concert venues but as audio-visual presentations in galleries, museums and classrooms.”
“I am grateful to all the incredible artists who eagerly took part, some from across the world, others a few subway stops away; some eluded by mainstream recognition, others who worked on their parts in between sold-out concerts and national television appearances; a few from regions that have long been politically at odds yet refusing to let politics or ideology dictate art, music and humanity; and all of whom are the type of musicians I’m most inspired by – master players for whom technical virtuosity exists, but never at the expense of artistic expression, emotion and collaboration……”
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